MAKE UP, ESPECIALLY FEMME MAKEUP, CAN BE/IS JUST AS ANDROGYNOUS
MASCULINITY IS NOT THE DEFAULT FOR ANDROGYNY AND TREATING IT AS SUCH IS REALLY TOXIC AND AWFUL PLEASE STOP
Love is as love does, and it is our responsibility to give children love. When we love children we acknowledge by our every action that they are not property, that they have rights—that we respect and uphold their rights. — bell hooks, All About Love, 30
a group of genderfluid people. a genderflood.
(Source: mahoubirdprincess, via worsethanqueer)
(Source: ret-vvz, via bettychantel)
Im all for girls drawing and writing self indulgent bullshit, especially considering about 97% of the media around today is just men writing and drawing self indulgent bullshit
For women, then, poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give names to the nameless so it can be thought. The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.
As they become known to and accepted by us, our feelings and the honest exploration of them become sanctuaries and spawning grounds for the most radical and daring of ideas. They become a safe-house for that difference so necessary to change and the conceptualization of any meaningful action. Right now, I could name at least ten ideas I would have found intolerable or incomprehensible and frightening, except as they came after dreams and poems. This is not idle fantasy, but a disciplined attention to the true meaning of “it feels right to me.” — from “Poetry is Not a Luxury,” Audre Lorde (via commovente)
ohaaaaai i know this one
nnnnnnng i’ve always been pro-dallas/alli please don’t mess this upppp degrassi.
Teaching Consent to Small Children -
A friend and I were out with our kids when another family’s two-year-old came up. She began hugging my friend’s 18-month-old, following her around and smiling at her. My friend’s little girl looked like she wasn’t so sure she liked this, and at that moment the other little girl’s mom came up and got down on her little girl’s level to talk to her.
“Honey, can you listen to me for a moment? I’m glad you’ve found a new friend, but you need to make sure to look at her face to see if she likes it when you hug her. And if she doesn’t like it, you need to give her space. Okay?”
Two years old, and already her mother was teaching her about consent.
My daughter Sally likes to color on herself with markers. I tell her it’s her body, so it’s her choice. Sometimes she writes her name, sometimes she draws flowers or patterns. The other day I heard her talking to her brother, a marker in her hand.
“Bobby, do you mind if I color on your leg?”
Bobby smiled and moved himself closer to his sister. She began drawing a pattern on his leg with a marker while he watched, fascinated. Later, she began coloring on the sole of his foot. After each stoke, he pulled his foot back, laughing. I looked over to see what was causing the commotion, and Sally turned to me.
“He doesn’t mind if I do this,” she explained, “he is only moving his foot because it tickles. He thinks its funny.” And she was right. Already Bobby had extended his foot to her again, smiling as he did so.
What I find really fascinating about these two anecdotes is that they both deal with the consent of children not yet old enough to communicate verbally. In both stories, the older child must read the consent of the younger child through nonverbal cues. And even then, consent is not this ambiguous thing that is difficult to understand.
Teaching consent is ongoing, but it starts when children are very young. It involves both teaching children to pay attention to and respect others’ consent (or lack thereof) and teaching children that they should expect their own bodies and their own space to be respected—even by their parents and other relatives.
And if children of two or four can be expected to read the nonverbal cues and expressions of children not yet old enough to talk in order to assess whether there is consent, what excuse do full grown adults have?
I try to do this every day I go to nursery and gosh it makes me so happy to see it done elsewhere.
The dichotomy of feminine Sansa and her tomboy little sister, Arya, coupled with the modern tendency to champion a misunderstanding of feminism in the form of “strong women” only, erroneously causes many readers and viewers to assume that Sansa is somehow in the wrong from the very beginning. They view her through the misconception-colored glasses of “femininity=weakness”, and assume she is weak, soft, and shallow.
Despite the wishes of fanboys everywhere, Sansa Stark is here to stay, and may be one of the most important characters in political-fantasy to date. The young girl, trained in courtesy and domestic arts, began coming of age, gaining political awareness, and fighting for her own survival before many other characters in this series, and has the potential to become the most powerful player of “the game of thrones” in Westeros. — Sterner Stuff: Why Sansa Stark Is A Political Powerhouse (via albinwonderland)
(Source: girlwiththeradishearrings, via bettychantel)
I strongly identify with wood elves because I too like to drink wine and talk about how men are failing